Brilliant, associative and short, Jaeggy's essays have the beauty and economy of poems but the souls of portraits, discovering 'human characteristics amidst the chaos' -- which fairly describes her project overall.--Martin Riker"Fleur Jaeggy's Portraits of Past Lives" (11/03/2017)
Three spare and telegraphic essays about Thomas De Quincey, John Keats, and Marcel Schwob, in which each account is self-contained and exquisitely precise, capture the arc of a whole life with filigreed economy.
Enjoy these short, meditative pieces slowly; Jaeggy is addictive.
Delicious--such monstrous control and insight that at moments while reading you experience a distinct feeling of levitation.--Carole Maso
She has the enviable first glance for people and things, she harbors a mixture of distracted levity and authoritative wisdom.--Ingeborg Bachmann
Small-scale, intense, and impeccably focused.
Terse beauties falling on the reader like a chaste gray rain.--Robert Byers
Brief in the way a razor’s slice is brief, remarkable essays by a peerless stylist
New Directions is proud to present Fleur Jaeggy’s strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey’s early nineteenth-century world we hear of the habits of writers: Charles Lamb “spoke of ‘Lilliputian rabbits’ when eating frog fricassse”; Henry Fuseli “ate a diet of raw meat in order to obtain splendid dreams”; “Hazlitt was perceptive about musculature and boxers”; and “Wordsworth used a buttery knife to cut the pages of a first-edition Burke.” In a book of “blue devils” and night visions, the Keats essay opens: “In 1803, the guillotine was a common child’s toy.” And poor Schwob’s end comes as he feels “like a ‘dog cut open alive’”: “His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief.” Fleur Jaeggy’s essays—or are they prose poems?—smoke of necessity: the pages are on fire.