A mysterious illness takes over the life of Tim Farnsworth, a successful New York lawyer. Inexplicably, for no apparent reason, he needs to... walk. Walk, walk, walk. For miles and miles. Without stopping. No matter what. A comfortable life taken for granted, a lovely, devout wife, a rebellious but deep-down sweet teenage daughter, a beautiful house in the suburbs, the trust and respect of his working associates, all is at stake for the unnamed condition which is disrupting Tim's and everyone's life and baffling doctors.
This is a disquieting novel. Indeed, a most unusual subject. I can relate to the feelings of frustration reflected in some reviews, it IS a frustrating book to some degree and quite depressing. I think however that frustration and powerlessness are exactly what the writer wants to convey. Some desolate, terrifying condition that would force anyone to face life when "something" beyond control takes over, and come to terms with "it".
I have the British print of this book. Some of the comments & praises by major newspapers utilise the adjective "funny" among others. Well, I think there is absolutely nothing "funny" about this book. If some situations border the ridiculous, it is because they befit the circumstances and the narrative. Nothing to smile about. On the other hand, there is definitely something to weep for. I think the author did a brilliant job conveying the tenderness and sense of desperation of his characters. The inner fights, the sense of abandonment, even some more hopeful, more uplifting situations, it is all described beautifully, the narrative... walks flawlessly, in a contorted path that eventually comes to an epilogue. Getting to the last page of the book was a relief I must admit, but it has been, in my opinion, a true page-turner. I would definitely recommend this book. Well done to the author.


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The Unnamed Paperback – 18 January 2010
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Joshua Ferris
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Joshua Ferris
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Product details
- Publisher : Reagan Arthur Books; Lrg edition (18 January 2010)
- Language : English
- Paperback : 432 pages
- ISBN-10 : 0316074004
- ISBN-13 : 978-0316074001
- Dimensions : 15.24 x 2.72 x 22.86 cm
- Customer Reviews:
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Customer reviews
3.7 out of 5 stars
3.7 out of 5
97 global ratings
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Top reviews from other countries

ELI (Italy)
4.0 out of 5 stars
What would we do if...
Reviewed in the United Kingdom on 5 July 2010Verified Purchase
5 people found this helpful
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blueskythinker
5.0 out of 5 stars
What a journey!
Reviewed in the United Kingdom on 20 March 2017Verified Purchase
This book will exhaust and drain you....but you won't be able to stop reading it. The writing is superb. Not an easy read but a rewarding one.

Angela Schweizer
2.0 out of 5 stars
Little Suspence
Reviewed in Germany on 8 July 2013Verified Purchase
Little Suspence, unfortunately the book didn't meet my expectations. . . . . . . . . . . .

Dave E
4.0 out of 5 stars
I wanted Tim to die.
Reviewed in the United States on 26 August 2014Verified Purchase
This is Joshua Ferris' second novel. I read his first, then third, then this one. One would normally expect to make some sweeping statement about what you will find in a Joshua Ferris novel, but they are three completely different books, with different styles, themes, gravity and intensity. I'm presuming Mr. Ferris has a larger bag of tricks which will be revealed on his own terms.
That said, there are a few themes you can find amongst the collected works:
1. Identity. In "Then We Came to the End," the group identity of a typical workplace actually narrates the novel. In "To Rise Again...," the narrator explores his own identity at length only after it was stolen. In "The Unnamed," our protagonist fights an internal war for control of his identity - mind vs. body, intellect vs. carnality.
2. Isolation. An interlude in "Then We Came..." left the group narration to explore the desparate isolation of a cancer patient facing her uncertain fate. "To Rise Again" has its protagonist continually looking in from the outside, forever searching for the inclusion that eludes him. In "The Unnamed," our protagonists Tim and Jane find themselves forced into isolation in spite of, and sometimes because of, their everlasting devotion to each other.
Ferris weaves a tale of desperation and determination. I can honestly say I've never wished for a protagonist's death as much as I did throughout this book - as a mercy. His torments were almost unbearable to share.
Some reviews here bemoan the lack of a catch-all conclusion, but it's consistent with the theme of the book. Take the opportunities to benefit from the insights and experiences presented to you, and make your own peace.
That said, there are a few themes you can find amongst the collected works:
1. Identity. In "Then We Came to the End," the group identity of a typical workplace actually narrates the novel. In "To Rise Again...," the narrator explores his own identity at length only after it was stolen. In "The Unnamed," our protagonist fights an internal war for control of his identity - mind vs. body, intellect vs. carnality.
2. Isolation. An interlude in "Then We Came..." left the group narration to explore the desparate isolation of a cancer patient facing her uncertain fate. "To Rise Again" has its protagonist continually looking in from the outside, forever searching for the inclusion that eludes him. In "The Unnamed," our protagonists Tim and Jane find themselves forced into isolation in spite of, and sometimes because of, their everlasting devotion to each other.
Ferris weaves a tale of desperation and determination. I can honestly say I've never wished for a protagonist's death as much as I did throughout this book - as a mercy. His torments were almost unbearable to share.
Some reviews here bemoan the lack of a catch-all conclusion, but it's consistent with the theme of the book. Take the opportunities to benefit from the insights and experiences presented to you, and make your own peace.
8 people found this helpful
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Laura Joyce Davis
4.0 out of 5 stars
Searing portrait of the limits of love; scenic portrayal of America's byways and undersides
Reviewed in the United States on 23 September 2014Verified Purchase
What would you do if your spouse had an undiagnosable, untreatable medical condition? One that came and went unpredictably? One that when it came, made a complete shambles of both your lives?
What would you do if you were the spouse—stay together? Rescue that person, take midnight phone calls, spend endless amounts of money on an ever-growing list of specialists?
What would you do if you were the one with the condition—try everything, beyond hope? Will yourself to battle it on your own? Leave to set your spouse free?
These are the questions The Unnamed presents to the reader—questions that take the more familiar scenario of a loved one with a terminal illness, and pushes it to the very extreme of moral obligations and human decency—yet set within the quotidian confines of contemporary American life. It’s a fascinating and sobering premise, which Ferriss unfolds with a gripping and convincing narrative.
The Unnamed would be worth reading for its premise and pacing alone, but what seals the deal is the deliciously inventive description along the way. A homeless man’s sneakers have “gone brandless with grime.” A streetside kebab wrap “hot as ore in his hand.” A “cluster of exiled smokers” hovers around the entrance to a building. We imagine the “dismal fluorescent brutality” of a chain restaurant, the “national color of insomnia and transience.” It's what you ask of all great writing: giving you new eyes for old things.
What would you do if you were the spouse—stay together? Rescue that person, take midnight phone calls, spend endless amounts of money on an ever-growing list of specialists?
What would you do if you were the one with the condition—try everything, beyond hope? Will yourself to battle it on your own? Leave to set your spouse free?
These are the questions The Unnamed presents to the reader—questions that take the more familiar scenario of a loved one with a terminal illness, and pushes it to the very extreme of moral obligations and human decency—yet set within the quotidian confines of contemporary American life. It’s a fascinating and sobering premise, which Ferriss unfolds with a gripping and convincing narrative.
The Unnamed would be worth reading for its premise and pacing alone, but what seals the deal is the deliciously inventive description along the way. A homeless man’s sneakers have “gone brandless with grime.” A streetside kebab wrap “hot as ore in his hand.” A “cluster of exiled smokers” hovers around the entrance to a building. We imagine the “dismal fluorescent brutality” of a chain restaurant, the “national color of insomnia and transience.” It's what you ask of all great writing: giving you new eyes for old things.
3 people found this helpful
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