"What Tom Wolfe has done is create an appallingly funny, cool, small, deflative two-scene social drama about America's biggest, hottest, and most perplexing problem--the confrontation between Black Rage and White Guilt." --Time magazine
"Wolfe's genius is that he is fair; he puts the Bernstein part in perspective against the background of New York social history. Read it and weep with laughter." --Houston Post
"A sociological classic . . . At Wolfe's hands the socialites get a roasting they will long remember." --Saturday Review
"Tom Wolfe understands the human animal like no sociologist around. He tweaks his reader's every buried though and prejudice. He sees through everything. He is as original and outrageous as ever." --The New York Times
"Uproariously funny and socially perceptive . . . a penetrating dissection of the confusion among the classes and the search for status." --Women's Wear Daily
"Tom Wolfe at his most clever, amusing, and irreverent." --San Franciscio Chronicle
"Absolutely brilliant. One of the finest examples of reporting and social commentary I have read anywhere." --Gay Talese
--This text refers to an alternate
kindle_edition edition.
Tom Wolfe is the author of a dozen books, among them such contemporary classics as The Electric Kool-Aid Acid Test andThe Bonfire of the Vanities. His most recent bestseller is I Am Charlotte Simmons (Nov. 2004). A native of Richmond, Virginia, he earned his B.A. at Washington and Lee University and a Ph.D. in American Studies at Yale. He lives in New York City.
--This text refers to an alternate
kindle_edition edition.
Book Description
RADICAL CHIC is Tom Wolfe's hilarious dissection of the need among wealthy liberals in late '60s America to be seen to support the correct political causes - even if that meant giving champagne receptions for the feared Black Panther Party. MAU-MAUING THE FLAK CATCHERS takes a satirical look at how, during that period of cultural upheaval, minority groups from the ghettoes refined the art of intimidating the white bureaucracy. In these essays, Wolfe's supercharged yet consummately controlled prose transports the reader back to the heady days of hippie revolution and Black Power. THE PAINTED WORD is Wolfe's insightful, flamboyant and supremely readable survey of Modern Art. Taking in Picasso, Pollock and Warhol, he describes the tense relationship between bohemian artists and their wealthy patrons, and concludes that modern art is Theory - the paintings and sculptures themselves are mere illustrations of the text. 'Tome Wolfe is a journalist who always manages to combine an encylopedic store of inside knowledge with the obstinate detachment of a visitor from Mars, not ot mention a brilliant style and incisive wit' San Francisco Chronicle
--This text refers to an alternate
kindle_edition edition.
Book Description
Three classic essays by Tom Wolfe, together in one volume for the first time.
--This text refers to an alternate
kindle_edition edition.