The Queens Of Innis Lear Paperback – 29 January 2019
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- Publisher : Voyager GB (29 January 2019)
- Language : English
- Paperback : 576 pages
- ISBN-10 : 0008281912
- ISBN-13 : 978-0008281915
- Dimensions : 12.9 x 3.6 x 19.8 cm
- Best Sellers Rank: 207,484 in Books (See Top 100 in Books)
- Customer Reviews:
‘Tessa Gratton creates a beautiful world, one where there’s magic in the trees and water, and prophecies come from the stars … reminiscent of Angela Carter’s reworkings of classic fairytales’
‘Powerful, poetic fantasy that will take hold of your heart’
Ed McDonald, author of BLACKWING
‘I adore this – rich, epic, blood-soaked – a glorious and grand sweeping fantasy’
Kate Elliott, author of THE POISONED BLADE
‘A gloriously symphonic, thematically rich variation on the story of the daughters of Lear. The danger of seeking certainty makes this a tale for our time; the power of truth and mercy makes it a tale for all times. Prepare to devour every word, for Innis Lear will consume you’
Karen Lord, author of REDEMPTION IN INDIGO
‘Messy, beautiful, and dark, darker than Shakespeare could have dreamed’
E. K. Johnston, author of STAR WARS: AHSOKA
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Top reviews from other countries
By page 78 I was still struggling to pick up the sense, the feel, the direction of this story, not having read the Shakespeare original.
My goodness what a lot of words and sentences! But they have to mean something, have an “adding to” capacity to the characters, the mood, and the story, not just be there without purpose.
Personally I like a long book, I have just read a trilogy, and each book had over 700 pages. And it never felt onerous as the action was interesting, the characters deep and the story really captivating.
The thing that really lost me with The Queens of Innis Lear however, was that almost every other chapter was, like “2 years ago/ 10 years ago /5 years ago/20 years ago”, quite randomly time-wise, perhaps relative to the story, but I had started to skip those sections in order to try and hang onto the plot.
Scooted to the last few chapters - before I lost the will to live - which at least carried the story succinctly to its conclusion.
If this had been more concise, directed, it could have been an exciting read. The good bones are there. I’m sorry, as the author sounds an interesting person.
P.S. Even the gold is rubbing of the cover.
Reviewed in the United Kingdom on 6 January 2020
The Queens of Innis Lear tells the fantastical tale of the kingdom of Innis Lear, its prophecy-obsessed King, Lear, and his three daughters: Gaela, Reagan, and Elia, as the crown is passed from father to daughter(s) leading the players and the kingdom to the brink of all out war.
Gratton's prose were absolutely breathtaking that I almost forgot that I was reading a 575 page monstrosity. As King Lear is my favourite of Shakespeare's tragedies I had a firm grasp on the play, its characters, and themes when going into this that I couldn't help but appreciate all of the Easter eggs that were sprinkled throughout the novel . The reason I am saying this is if you want to appreciate what exactly Gratton did, do yourself a favour and at least read the SparkNotes version of the Shakespeare play.
The fantastical elements of The Queens of Innis Lear was quite inventive of Gratton. In the novel there are those who believe in the stars and those who believe in the trees. There are of course consequences to using either of them, leaving the reader conflicted, as it is for everything in this novel, and by the end my reading l I felt that I had ingested some rootwaters of Innis Lear, left to pick up the pieces of whether the magic was worth using at all.
Much like Shakespeare, Gratton's story is truly elevated by its morally gray cast of characters. The three queens were absolutely stunning to read about. Usually I am not one to enjoy novels that flip from the present to the past but each detail included about the queens was necessary for the conclusion of the novel. As with the play I disliked Gaela and Reagan, feeling sympathy only for Elia, the only one actually doing things for the good of the people rather than corruptly for herself. Plus, the love triangle between Elia, Ban the Fox, and Morimaros made for an explosive finale. My only issue with the characters is that there wasn't enough eye gouging. I'm weird with my appreciation of the play and hyper focus on the torture technique of eye gouging.