Pan's Labyrinth: The Labyrinth of the Faun
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Pan's Labyrinth: The Labyrinth of the Faun Audible Audiobook – Unabridged

4.9 out of 5 stars 1,061 ratings

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Product details

Listening Length 6 hours and 22 minutes
Author Guillermo del Toro, Cornelia Funke
Narrator Thom Rivera
Whispersync for Voice Ready
Audible.com.au Release Date 14 October 2019
Publisher Bloomsbury Publishing Plc
Program Type Audiobook
Version Unabridged
Language English
ASIN B07YZV4L1N
Best Sellers Rank 43,666 in Audible Books & Originals (See Top 100 in Audible Books & Originals)
110 in Magical Realism Fiction
353 in Historical Fantasy (Audible Books & Originals)
614 in Dark Fantasy (Audible Books & Originals)

Customer reviews

4.9 out of 5 stars
4.9 out of 5
1,061 global ratings
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Top reviews from Australia

Reviewed in Australia on 5 December 2020
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Reviewed in Australia on 10 September 2019

Top reviews from other countries

Muse
5.0 out of 5 stars This was a brilliant way for me to experience an endlessly fascinating story
Reviewed in the United Kingdom on 2 July 2019
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18 people found this helpful
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Nia Ireland
5.0 out of 5 stars Haunting dark fairytale
Reviewed in the United Kingdom on 22 September 2019
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3 people found this helpful
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Daniele
5.0 out of 5 stars A little gem
Reviewed in the United Kingdom on 4 July 2019
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5.0 out of 5 stars A little gem
Reviewed in the United Kingdom on 4 July 2019
This book is a little jewel! I love the film and this book isn't just a narration of the film but it adds flavour to it! Descriptions of places and the psychology of the characters are just amazing. Magic unveils to you by reading this story
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7 people found this helpful
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Tristan Sherwin
3.0 out of 5 stars A beautiful retelling, but has serious pacing problems
Reviewed in the United Kingdom on 17 December 2020
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3.0 out of 5 stars A beautiful retelling, but has serious pacing problems
Reviewed in the United Kingdom on 17 December 2020
Once upon a time—2006, actually—I set out on a quest to watch Pan’s Labyrinth. It was one of those rare and refreshing cinematic experiences that captivated my imagination and made me think, ‘now, here’s something different.’ Since then, I’ve been a huge fan of Del Toro’s storytelling ability, which has taken on something of the nature of the fairy tales he crafts; he weaves gold from straw, beautifully interlacing the world around us with an otherworldly ambience.

Naturally, when I heard that a book was coming, I was curious. Would this work? After all, the treacherous journey from film to book has been attempted many times before, and it’s pathways are strewn with the corpses of prior attempts.

So how does the novelisation measure up to the film?

Well... erm... um... OK... ish, I guess.

The movie obviously has the visual advantage in painting the presence of this dark fairy tale. On the other side, the book gives some glimpses into the story that easily slip through the cracks of the movie—a big plus for the book, and something I enjoyed. The book does convey the same magical story; the enchantment is there, the threat and danger are there, and the depth of characters are certainly there (more so than the film). However, its the prose that lets this adaptation down.

As a plus side, the book attempts to tell this tale in the same way a fairy tale is told. The fairy tales that are layered throughout this story (and which are integral to its background) are told exclusively in this fashion. Whereas, real world events are narrated in a semi-fairy tale way, hinting at us that real life is just a dangerous and otherworldly. I enjoyed this stylistic approach; it suited the mood and nature of the story perfectly. Sadly, from time to time, when the real-world events got dramatic, this semi-tone fashion failed to convey the scenes suitably. It’s wasn’t a problem with word choice etc., but more to do with pace and transition. If there were only a few extra sentences leading in, through and out of these scenes, it would have made a world of difference. This doesn’t happen all the time, though; most of the time, it’s a smooth journey. But when these transition problems turn up, it’s like hitting a pot hole. Which is a shame, because they sadly interrupt what is, in the main, a beautiful retelling of the movie.

To end on a positive note: There’s plenty to enjoy here, and, as a big plus, I don’t believe that you have to have seen the movie to relish this story. That said, for those of us who have seen it, it will make you want to rewatch it again. Which isn’t a bad thing.

Ps. For those who have never seen the film, this is not a fairy tale for kids!
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S. Hackshaw
4.0 out of 5 stars Good though I prefer the film
Reviewed in the United Kingdom on 19 October 2019
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One person found this helpful
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