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Ohio Paperback – 1 July 2019
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Stephen Markley
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Stephen Markley
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Product details
- Publisher : Simon & Schuster (1 July 2019)
- Language: : English
- Paperback : 512 pages
- ISBN-10 : 1501174487
- ISBN-13 : 978-1501174483
- Dimensions : 13.97 x 3.05 x 21.27 cm
-
Best Sellers Rank:
16,146 in Books (See Top 100 in Books)
- 754 in Small Town & Rural Fiction (Books)
- 1,142 in Coming of Age Fiction (Books)
- 3,037 in Literary Fiction (Books)
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Product description
Review
PRAISE FOR OHIO BY STEPHEN MARKLEY
"Markley [does] some extraordinary things with the structure of the book . . . Casual details suddenly take on new surprising significance. There's real pleasure in this hopscotching narrative: with each new point of view, a clearer sense of the hidden story emerges as the reader slowly pieces together some shocking revelations . . . The most moving parts of the book are those that step back and let the events and the actions speak for themselves, as when one character (the shy bookish one from high school) recalls his first tours in Afghanistan. The beautifully precise details are all the more vivid for their lack of accompanying commentary. The real core of this earnestly ambitious debut lies not in its sweeping statements but in its smaller moments, in its respectful and bighearted renderings of damaged and thwarted lives. It's the human scale that most descriptively reveals the truth about the world we're living in."—DAN CHAON, NEW YORK TIMES BOOK REVIEW
“[Ohio is] a descendent of the Dickensian ‘social novel’ by way of Jonathan Franzen: epic fiction that lays bare contemporary culture clashes, showing us who we are and how we got here…Markley’s prose [is] as lively as a bonfire, crackling with incisive details…Markley’s gift is keeping one eye on these intimate specifics and the other on the expansive landscape of modern American life.”—O MAGAZINE
“Ohio isn't just a remarkable debut novel, it's a wild, angry and devastating masterpiece of a book. Markley's debut is a sprawling, beautiful novel that explores the aftermath of the Great Recession and the wars in Iraq and Afghanistan, and a powerful look at the tenuous bonds that hold people together at their best and at their worst. [Ohio] is intricately constructed, with gorgeous, fiery writing that pulls the reader in and never lets go.”—NPR
“Genuinely absorbing…Ohio burns with alienation, nihilism, frustration and finally love for a place that gave birth to all of them.”—WASHINGTON POST
"A book of genuine substance and style...Markley’s skill is apparent...Both a lament and a love letter, Ohio is a reminder of the wealth of stories hidden in small towns, and of how much 'history and pathos could accumulate in errant pockets on any given night.'"—WALL STREET JOURNAL
“Markley's ambitious foray into fiction reunites four high school classmates on a fateful summer night in their Ohio hometown, in what reads like a darker-themed epilog to Friday Night Lights…Markley's prose sparkles with insight and supports an intricate narrative architecture that recalls Nathan Hill's The Nix and Patrick Somerville's This Bright River…highly recommended for all literary collections.”—LIBRARY JOURNAL (STARRED REVIEW)
"Reporters have fanned out in search of answers to Middle America’s decline and Trumpist desperation, but Markley is one of the first novelists to fully reflect the social forces at work without sacrificing an iota of character work or narrative tension. Drawing on the reunion-novel tradition, he brings together four alumni of the same (fictional) Ohio high school on one momentous evening a decade after graduation, each with their own pattern of escape and return—and their own mission of repentance or retribution."—VULTURE (NYMAG.COM)
"[Ohio is] a thoughtful examination of the neglected corners of a traumatized country — and one that will pierce your loyal, loving heart."—ENTERTAINMENT WEEKLY
“A book that has stayed with me ever since I put it down.” —SETH MEYERS, host of Late Night with Seth Meyers
“[A] standout debut…Markley’s novel is alternately disturbing and gorgeous, providing a broad view of the anxieties of a post-9/11 Middle America and the complexities of the humans who navigate them."—PUBLISHERS WEEKLY
"[Ohio is] so rich in complex storytelling and literary excellence that it’s difficult to believe it’s a fiction debut."—PUBLISHERS WEEKLY
"Timely and of vital importance, Ohio delves into the spectrum of issues consuming contemporary America’s Rust Belt, exploring topics like joblessness, addiction, terrorism, sexuality, religion and sex, to name a few. Markley’s disturbing masterpiece reads like the offspring of Harlan Coben, Jonathan Franzen and Hanya Yanagihara: an illuminating snapshot of our current era masquerading as a twisted character-driven thriller, filled with mordant wit and soul-shaking pathos... an edifying and unforgettable read that leaves [readers] breathless."—BOOKPAGE
“The characters walk and talk like real, messed-up people; the author cares about them, and so does the reader. The prologue-four sections-coda structure works because Markley took the time to connect everything in a masterful set of flashbacks and flash-forwards that parcel out enough information to make the conclusion both shocking and inevitable. Ohio is a big novel about what happened after 9/11, the initial euphoria and the long depression that grips us still.”—SEATTLE TIMES
"Effectively four tart, well-turned novellas bundled in a symphonic prologue and epilogue...Markley writes each of these character studies with powerhouse command and painterly detail about socioeconomic distinctions...Markley’s novel is in line with a dark strain of Midwestern fiction that runs from Edgar Lee Masters to Gillian Flynn. Its bleakness and style are appealing."—MINNEAPOLIS STAR TRIBUNE
"[A] knockout debut...fully engrossing from the start, save moments when you’re taken aback by how good the writing really is, how flawless the storytelling...Ohio is a ceaselessly beautiful and gut-wrenching debut."—CHICAGO REVIEW OF BOOKS
"Ambitious and suspenseful." —COLUMBUS DISPATCH
“The kind of book that people rarely attempt to write anymore…A Big American Novel that seeks to tell us where we live now.”—THE MILLIONS
“In his bold debut novel, Ohio, Stephen Markley visits the fictional northeastern Ohio town of New Canaan to paint in vivid colors the shattered dreams and stunted lives of young adults removed by roughly a decade from their high school graduation. It's an intensely realistic and keenly observed portrait that puts a human face on subjects often obscured by statistics and expert opinion… a dark and deeply felt examination of a generation confronting problems that can't be solved quickly or with ease…it has earned a place in any conversation about the important role fiction can play in reflecting life back to us when we look squarely in the mirror.”—SHELF AWARENESS
"Markley is a knockout storyteller, infusing each section with realistic detail, from the drudgery of Walmart work to war to the fleeting ecstasies of drugs to violence, especially self-harm."—KIRKUS REVIEWS
"Important and ambitious...this year's Hillbilly Elegy of fiction."—SALON
"Beautifully descriptive...an insightful, tragic story."—BOOKLIST
"Ambitious...one of the most human novels I've read in a long, long time...it does what a good book should, which is just sucks you in to the extent that time not spent reading it feels like wasted time...it makes you think long after you have turned the final page...highly, highly recommend it."—ROGER BENNETT, MEN IN BLAZERS
"Ohio captures the hacking cough of 2018’s poisoned America. Markley’s dialogue often sums up our national Great Depression—not economic, but the spiritual frustration of this bitter century...a biting portrayal of Midwest ennui."—THE DAILY BEAST
“Stephen Markley is an expert cartographer of the American Rust Belt and the haunted landscapes of his characters' interiors. A fast-moving and devastating debut.”—KAREN RUSSELL, New York Times bestselling author of Swamplandia!
“Ohio is that rarest of unicorns, a novel that swings for the fences, and actually tries to explain just what the fuck happened to this country after the towers fell, and how we got to this awful particular moment. Stephen Markley goes for the universe with every single sentence he writes. That the universe answers him as often as it does makes for a hugely impressive first novel.”—CHARLES BOCK, New York Times bestselling author of Alice & Oliver
“If the American dream has given way to American carnage, then this is the great American novel of its time. Stephen Markley is a gifted storyteller who has written a fearless and impressive debut.”—DAVID BEZMOZGIS, author of Natasha and The Betrayers
“Ohio is heartbreaking, frightening, and occasionally, amidst the sorrow and horror, transcendent—a novel that casts the clearest possible eye on people haunted by who they used to be and might have become, and a country haunted by the same. Stephen Markley is unflinching.”—KEVIN BROCKMEIER, author of The Illumination
"Markley [does] some extraordinary things with the structure of the book . . . Casual details suddenly take on new surprising significance. There's real pleasure in this hopscotching narrative: with each new point of view, a clearer sense of the hidden story emerges as the reader slowly pieces together some shocking revelations . . . The most moving parts of the book are those that step back and let the events and the actions speak for themselves, as when one character (the shy bookish one from high school) recalls his first tours in Afghanistan. The beautifully precise details are all the more vivid for their lack of accompanying commentary. The real core of this earnestly ambitious debut lies not in its sweeping statements but in its smaller moments, in its respectful and bighearted renderings of damaged and thwarted lives. It's the human scale that most descriptively reveals the truth about the world we're living in."—DAN CHAON, NEW YORK TIMES BOOK REVIEW
“[Ohio is] a descendent of the Dickensian ‘social novel’ by way of Jonathan Franzen: epic fiction that lays bare contemporary culture clashes, showing us who we are and how we got here…Markley’s prose [is] as lively as a bonfire, crackling with incisive details…Markley’s gift is keeping one eye on these intimate specifics and the other on the expansive landscape of modern American life.”—O MAGAZINE
“Ohio isn't just a remarkable debut novel, it's a wild, angry and devastating masterpiece of a book. Markley's debut is a sprawling, beautiful novel that explores the aftermath of the Great Recession and the wars in Iraq and Afghanistan, and a powerful look at the tenuous bonds that hold people together at their best and at their worst. [Ohio] is intricately constructed, with gorgeous, fiery writing that pulls the reader in and never lets go.”—NPR
“Genuinely absorbing…Ohio burns with alienation, nihilism, frustration and finally love for a place that gave birth to all of them.”—WASHINGTON POST
"A book of genuine substance and style...Markley’s skill is apparent...Both a lament and a love letter, Ohio is a reminder of the wealth of stories hidden in small towns, and of how much 'history and pathos could accumulate in errant pockets on any given night.'"—WALL STREET JOURNAL
“Markley's ambitious foray into fiction reunites four high school classmates on a fateful summer night in their Ohio hometown, in what reads like a darker-themed epilog to Friday Night Lights…Markley's prose sparkles with insight and supports an intricate narrative architecture that recalls Nathan Hill's The Nix and Patrick Somerville's This Bright River…highly recommended for all literary collections.”—LIBRARY JOURNAL (STARRED REVIEW)
"Reporters have fanned out in search of answers to Middle America’s decline and Trumpist desperation, but Markley is one of the first novelists to fully reflect the social forces at work without sacrificing an iota of character work or narrative tension. Drawing on the reunion-novel tradition, he brings together four alumni of the same (fictional) Ohio high school on one momentous evening a decade after graduation, each with their own pattern of escape and return—and their own mission of repentance or retribution."—VULTURE (NYMAG.COM)
"[Ohio is] a thoughtful examination of the neglected corners of a traumatized country — and one that will pierce your loyal, loving heart."—ENTERTAINMENT WEEKLY
“A book that has stayed with me ever since I put it down.” —SETH MEYERS, host of Late Night with Seth Meyers
“[A] standout debut…Markley’s novel is alternately disturbing and gorgeous, providing a broad view of the anxieties of a post-9/11 Middle America and the complexities of the humans who navigate them."—PUBLISHERS WEEKLY
"[Ohio is] so rich in complex storytelling and literary excellence that it’s difficult to believe it’s a fiction debut."—PUBLISHERS WEEKLY
"Timely and of vital importance, Ohio delves into the spectrum of issues consuming contemporary America’s Rust Belt, exploring topics like joblessness, addiction, terrorism, sexuality, religion and sex, to name a few. Markley’s disturbing masterpiece reads like the offspring of Harlan Coben, Jonathan Franzen and Hanya Yanagihara: an illuminating snapshot of our current era masquerading as a twisted character-driven thriller, filled with mordant wit and soul-shaking pathos... an edifying and unforgettable read that leaves [readers] breathless."—BOOKPAGE
“The characters walk and talk like real, messed-up people; the author cares about them, and so does the reader. The prologue-four sections-coda structure works because Markley took the time to connect everything in a masterful set of flashbacks and flash-forwards that parcel out enough information to make the conclusion both shocking and inevitable. Ohio is a big novel about what happened after 9/11, the initial euphoria and the long depression that grips us still.”—SEATTLE TIMES
"Effectively four tart, well-turned novellas bundled in a symphonic prologue and epilogue...Markley writes each of these character studies with powerhouse command and painterly detail about socioeconomic distinctions...Markley’s novel is in line with a dark strain of Midwestern fiction that runs from Edgar Lee Masters to Gillian Flynn. Its bleakness and style are appealing."—MINNEAPOLIS STAR TRIBUNE
"[A] knockout debut...fully engrossing from the start, save moments when you’re taken aback by how good the writing really is, how flawless the storytelling...Ohio is a ceaselessly beautiful and gut-wrenching debut."—CHICAGO REVIEW OF BOOKS
"Ambitious and suspenseful." —COLUMBUS DISPATCH
“The kind of book that people rarely attempt to write anymore…A Big American Novel that seeks to tell us where we live now.”—THE MILLIONS
“In his bold debut novel, Ohio, Stephen Markley visits the fictional northeastern Ohio town of New Canaan to paint in vivid colors the shattered dreams and stunted lives of young adults removed by roughly a decade from their high school graduation. It's an intensely realistic and keenly observed portrait that puts a human face on subjects often obscured by statistics and expert opinion… a dark and deeply felt examination of a generation confronting problems that can't be solved quickly or with ease…it has earned a place in any conversation about the important role fiction can play in reflecting life back to us when we look squarely in the mirror.”—SHELF AWARENESS
"Markley is a knockout storyteller, infusing each section with realistic detail, from the drudgery of Walmart work to war to the fleeting ecstasies of drugs to violence, especially self-harm."—KIRKUS REVIEWS
"Important and ambitious...this year's Hillbilly Elegy of fiction."—SALON
"Beautifully descriptive...an insightful, tragic story."—BOOKLIST
"Ambitious...one of the most human novels I've read in a long, long time...it does what a good book should, which is just sucks you in to the extent that time not spent reading it feels like wasted time...it makes you think long after you have turned the final page...highly, highly recommend it."—ROGER BENNETT, MEN IN BLAZERS
"Ohio captures the hacking cough of 2018’s poisoned America. Markley’s dialogue often sums up our national Great Depression—not economic, but the spiritual frustration of this bitter century...a biting portrayal of Midwest ennui."—THE DAILY BEAST
“Stephen Markley is an expert cartographer of the American Rust Belt and the haunted landscapes of his characters' interiors. A fast-moving and devastating debut.”—KAREN RUSSELL, New York Times bestselling author of Swamplandia!
“Ohio is that rarest of unicorns, a novel that swings for the fences, and actually tries to explain just what the fuck happened to this country after the towers fell, and how we got to this awful particular moment. Stephen Markley goes for the universe with every single sentence he writes. That the universe answers him as often as it does makes for a hugely impressive first novel.”—CHARLES BOCK, New York Times bestselling author of Alice & Oliver
“If the American dream has given way to American carnage, then this is the great American novel of its time. Stephen Markley is a gifted storyteller who has written a fearless and impressive debut.”—DAVID BEZMOZGIS, author of Natasha and The Betrayers
“Ohio is heartbreaking, frightening, and occasionally, amidst the sorrow and horror, transcendent—a novel that casts the clearest possible eye on people haunted by who they used to be and might have become, and a country haunted by the same. Stephen Markley is unflinching.”—KEVIN BROCKMEIER, author of The Illumination
About the Author
Stephen Markley is an author, screenwriter, and journalist. A graduate of the Iowa Writer’s Workshop, Markley’s previous books include the novel Ohio, the memoir Publish This Book: The Unbelievable True Story of How I Wrote, Sold, and Published This Very Book, and the travelogue Tales of Iceland. He lives in Los Angeles.
Excerpt. © Reprinted by permission. All rights reserved.
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Customer reviews
4.1 out of 5 stars
4.1 out of 5
115 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness.
Top reviews from other countries

Daisydolittle
5.0 out of 5 stars
Read this book
Reviewed in the United Kingdom on 23 January 2020Verified Purchase
It’s funny how you are only a teenager for such a relatively short amount of time but it leave such a mark on the rest of your life. Ohio captures this perfectly. I don’t think I’ve read such a well written novel in a very long time. In many ways it reminds of John Irving, but more. Absolutely fantastic, and viscerally emotive. Just read it.
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Sue Erickson
5.0 out of 5 stars
Very good read
Reviewed in Canada on 15 November 2018Verified Purchase
This was a fantastic novel. It was slow going at first but once you get into it , it is amazing.
The story will stay with me, beautifully written!
The story will stay with me, beautifully written!
One person found this helpful
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SpongeBob Fishpants
5.0 out of 5 stars
Not a book for the faint of heart...
Reviewed in the United States on 24 March 2020Verified Purchase
This is not an easy book and it's not a fun book. It's dark. The characters are not one-dimensional, not always likeable, and their defining traits sometimes flicker in and out or do not become clear until the end of the story. The setting, although it is Ohio, could be nearly any small town in America; the ubiquitous scabbed strip malls, abandoned industry, neighborhoods that range from storybook to nightmare, the cliques, and community glorification of high school sports are not in any way unique to Ohio. The mood varies from dim to downright dark, the plot is less mystery and more noir, and the language is likely to offend readers more suited to church or Amish romance novels.
All of this being said, the book moves like the river that features as nearly a character itself in the story, often lazily moving at a pace that is steady but that can be deceptively swift if you don't pay attention. And attention is key to this book. Skipping longer sections of prose because they are wordy will invariably mean you miss small details that prove key later on.
One caution I might make is with regard to the violence in the book. Some reviewers seemed almost offended at the amount and type of violence, as if it isn't something "nice" writers include. Sadly, abuse, neglect, drug abuse, overdose, physical and sexual violence, and murder are not tragedies that only occur in big cities. They occur in every community to varying degrees; and Markley's use of violence serves primarily to highlight the rise in crimes and deaths of despair in an America that is increasingly defined by the lost and abandoned hope in a society that was supposed to define exceptionalism but has failed by nearly every metric.
All of this being said, the book moves like the river that features as nearly a character itself in the story, often lazily moving at a pace that is steady but that can be deceptively swift if you don't pay attention. And attention is key to this book. Skipping longer sections of prose because they are wordy will invariably mean you miss small details that prove key later on.
One caution I might make is with regard to the violence in the book. Some reviewers seemed almost offended at the amount and type of violence, as if it isn't something "nice" writers include. Sadly, abuse, neglect, drug abuse, overdose, physical and sexual violence, and murder are not tragedies that only occur in big cities. They occur in every community to varying degrees; and Markley's use of violence serves primarily to highlight the rise in crimes and deaths of despair in an America that is increasingly defined by the lost and abandoned hope in a society that was supposed to define exceptionalism but has failed by nearly every metric.
6 people found this helpful
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oldschool
1.0 out of 5 stars
Ohio is vastly over-rated - and its publisher needs to hire a good copy-editor
Reviewed in the United States on 7 July 2019Verified Purchase
I was shocked to discover the word "sherriff" on page 7. Where are Simon and Schuster's copy editors? That mistake yanked me out of the story - a story I was already losing because of too many of the writerly aspects of the author's style. There were torrents of words where a few would have been more powerful. There were too many "tells' when there could have been "shows." And there were aeons of cinematic gloss when there should have been moments of quiet language. Many contemporary writers need to study the quiet, clean and lacerating power of Ray Carver's work, and the brilliantly crafted work of Richard Powers and Robert MacFarlane.
2 people found this helpful
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I like to read.
1.0 out of 5 stars
Do not waste your time or money
Reviewed in the United States on 16 September 2019Verified Purchase
Really horrible, bloated, narcissistic, oversexed, should be half of its 500 pages. The female characters are treated so horribly, it’s shocking, and made me feel sick. It really reads like some perv dude’s rape fantasy. I’m so mad I read the whole thing.
4 people found this helpful
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