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Never Let Me Go Kindle Edition
| Kazuo Ishiguro (Author) Find all the books, read about the author, and more. See search results for this author |
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*Kazuo Ishiguro's new novel Klara and the Sun is now available*
Shortlisted for the 2005 Booker Prize
Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world. A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense of the fragility of life.
'Exquisite.' Guardian
'A feat of imaginative sympathy.' New York Times
What readers are saying:
'A book I will return to again and again, and one that keeps me thinking even after finishing it. 5/5 stars'
'I loved it, every single word of it.'
'It took me wholly by surprise.'
'Utterly beautiful.'
'Essentially perfect.'
- LanguageEnglish
- PublisherFaber & Faber
- Publication date8 January 2009
- File size1316 KB
Product description
Review
"A page turner and a heartbreaker, a tour de force of knotted tension and buried anguish. "Time"
A Gothic tour de force. . . . A tight, deftly controlled story . . . . Just as accomplished [as The Remains of the Day] and, in a very different way, just as melancholy and alarming. "The New York Times"
"Elegaic, deceptively lovely. . . . As always, Ishiguro pulls you under." "Newsweek"
Superbly unsettling, impeccably controlled . . . . The book s irresistible power comes from Ishiguro s matchless ability to expose its dark heart in careful increments. "Entertainment Weekly"
"From the Trade Paperback edition.""
"A page turner and a heartbreaker, a tour de force of knotted tension and buried anguish." --Time
"A Gothic tour de force. . . . A tight, deftly controlled story . . . . Just as accomplished [as The Remains of the Day] and, in a very different way, just as melancholy and alarming." --The New York Times
"Elegaic, deceptively lovely. . . . As always, Ishiguro pulls you under." --Newsweek
"Superbly unsettling, impeccably controlled . . . . The book's irresistible power comes from Ishiguro's matchless ability to expose its dark heart in careful increments." --Entertainment Weekly
From the Trade Paperback edition. --This text refers to an alternate kindle_edition edition.
From the Inside Flap
Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.
Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it's only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.
Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.
"From the Hardcover edition. --This text refers to an alternate kindle_edition edition.
About the Author
From the Back Cover
As a child, Kathy-now thirty-one years old-lived at Hailsham, a private school in the scenic English countryside where the children were sheltered from the outside world, brought up to believe that they were special and that their well-being was crucial not only for themselves but for the society they would eventually enter. Kathy had long ago put this idyllic past behind her, but when two of her Hailsham friends come back into her life, she stops resisting the pull of memory.
And so, as her friendship with Ruth is rekindled, and as the feelings that long ago fueled her adolescent crush on Tommy begin to deepen into love, Kathy recalls their years at Hailsham. She describes happy scenes of boys and girls growing up together, unperturbed-even comforted-by their isolation. But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailsham's nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhood-and about their lives now.
A tale of deceptive simplicity, "Never Let Me Go slowly reveals an extraordinary emotional depth and resonance-and" takes its place among Kazuo Ishiguro's finest work. --This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B002RI9ZX6
- Publisher : Faber & Faber; Open Market - Airside ed edition (8 January 2009)
- Language : English
- File size : 1316 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 275 pages
- Best Sellers Rank: 2,315 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

KAZUO ISHIGURO was born in Nagasaki, Japan, in 1954 and moved to Britain at the age of five. His eight previous works of fiction have earned him many honors around the world, including the Nobel Prize in Literature and the Booker Prize. His work has been translated into over fifty languages, and The Remains of the Day and Never Let Me Go, both made into acclaimed films, have each sold more than 2 million copies. He was given a knighthood in 2018 for Services to Literature. He also holds the decorations of Chevalier de l'Ordre des Arts et des Lettres from France and the Order of the Rising Sun, Gold and Silver Star from Japan.
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Customer reviews
Top reviews from Australia
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Set in the near, or perhaps just alternative, future I enjoyed the way the situation of the main characters in Never Let Me Go is only revealed gradually, to us as it is to them. The 'science fiction' idea which is explored is not a new one but the story through which it is told is, as we follow a group of friends from young school days and through their adult lives.
Top reviews from other countries
As the story unfolds, we realise that things are not as straightforward as the blandness of the narrative implies. Is this science fiction? Yet the horror is always tempered by the fatalism and acceptance of the narrator and her schoolmates.
Why does this far-fetched story ring so true? As gently as Kathy's narrative, it dawns on us that this is not science fiction, but a description of our own lives. The stoic acceptance the participants have for their truncated, pointless lives mirrors our own acceptance of our mortality, and the ultimate pointlessness of our own existence.
This book works because of the form of its narrative -- the soap-opera banality and fine-grained observation. In the detail, Ishiguro finds the soul of his characters, and us his readers.
Donors have only initials for their surnames, to signify their socially incomplete status and their partial anonymity as containers of spare body parts. Like all donors, the narrator, Kathy H, has limited knowledge. This is appropriate to her situation but frustrating for the reader, who wants to know more about this alternative reality, particularly how could the donor caste be so passive, so accepting of their fate? Even in the most extreme of human circumstances—the Holocaust, for example, or Stalin’s Gulag—there was resistance. Humans simply aren’t made to be passive receptors of a ghastly fate designated by others. Such a situation can be presented convincingly, as in Huxley’s Brave New World, but that novel presents a near-complete system of control, where members of the rigidly class-stratified society are designed in laboratories, are chemically produced, so that an epsilon is content to operate a lift all day. In Never, no explanation is given and the partial picture presented through the limited viewpoint of the narrator leaves too many questions unanswered. Explanations conveniently but awkwardly inserted in an unlikely character monologue cum question-and-answer session towards the end of the novel are inadequate and testify to the author’s awareness of the need for explanation rather than satisfy that need.
There is also a problem with the narrative voice. Reading such a limited narrator’s account for almost 300 pages becomes tedious, like listening to the conversation of schoolchildren for hours. The deliberately flat prose style and the endlessly detailed trivia frustrate the reader’s desire for a more engaging narrative voice. Some gain in power towards the end of the novel is not enough to offset the slog of getting there.
It may be objected that the position of the donors is simply an emphatic version of mortality and that therefore they represent all of us, but the problem of the limiting narrative voice and sketchy characterisation remains. Never’s alternative or exaggerated reality doesn’t tell us anything we don’t already know about our ultimate fate, and our own thoughts about it may be more interesting than the flat monologue of Kathy H. Ishiguro’s novel is a sincere attempt to explore what it means to be human: our relationships with others, our need for love and achievement, and the inevitability of death, but the device of an incompletely imagined alternative reality narrated through a deliberately limited consciousness creates problems the novel doesn’t solve.
The critics say this had telling lessons about humanity, but there were no lessons in this book. Everything happened in such painful slowness and nothing was explained. This book has no genre. It's like a plain bowl of porridge. The only thing that makes it interesting would be your own work to make it so, which to me, is not a fear of literary genius, it's not good writing. It was an apathetic portrayal of something that isnt even that new of an idea. Thank you for that utter let down, Kazuo Ishiguro with this book. I wish I could return it and get my wasted time back. You can keep the money.



