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Narration in the Fiction Film Paperback – 1 Jan 2005

ISBN-13: 978-0299101749 ISBN-10: 9780299101749

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Product details

  • Paperback: 384 pages
  • Publisher: Univ of Wisconsin Pr (1 January 2005)
  • Language: English
  • ISBN-10: 9780299101749
  • ISBN-13: 978-0299101749
  • ASIN: 0299101746
  • Product Dimensions: 24.3 x 23.9 x 2 cm
  • Boxed-product Weight: 862 g
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: 445,916 in Books (See Top 100 in Books)

Product description

Review

0;This is a well-illustrated, well-documented book, up to date in a time of rapidly changing theories. It also opens up important new questions to explore. ... Highly recommended for graduate students and upper-division undergraduates.1;2;"Choice"


0;This book is of crucial importance to film specialists. I cannot think that any film teacher/scholar would miss reading this work.1;2;Don Fredricksen, Cornell University


0;A comprehensive account of how movies use fundamental principles of narrative representation, unique features of the medium, and particular story-telling patterns to move and delight us. 0; Should inspire all serious film theorists.1; 2;"Communications Booknotes"


"This book is of crucial importance to film specialists. I cannot think that any film teacher/scholar would miss reading this work."--Don Fredricksen, Cornell University


"This is a well-illustrated, well-documented book, up to date in a time of rapidly changing theories. It also opens up important new questions to explore. ... Highly recommended for graduate students and upper-division undergraduates."--"Choice"


"A comprehensive account of how movies use fundamental principles of narrative representation, unique features of the medium, and particular story-telling patterns to move and delight us. ... Should inspire all serious film theorists." --"Communications Booknotes"

From the Back Cover

In this study, David Bordwell offers the first comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives. The result is a pioneering, far-reaching work which will change the way we perceive narrative film--and which every serious film scholar, student or fan will welcome.

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