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In this magical bedtime story, the lyrical narrative echoes a Runaway Bunny–like cadence: “Does everything in the world go to sleep?” the little girl asks. In sincere and imaginative dialogue between a not-at-all sleepy child and understanding parents, the little girl decides “in a cocoon of sheets, a nest of blankets,” she is ready to sleep, warm and strong, just like a tiger. The Caldecott Honor artist Pamela Zagarenski’s rich, luminous mixed-media paintings effervesce with odd, charming details that nonsleepy children could examine for hours. A rare gem.
From “the reigning royalty of Minnesota murder mysteries” (The Rake) comes a striking new heroine: a young Irish immigrant caught up in a deadly plot in nineteenth-century Deadwood
When I was fifteen and my brother Seamus sixteen, we attended our own wake. Our family was in mourning, forced to send us off to America.
The year is 1880, and of all the places Brigid Reardon and her brother might have dreamed of when escaping Ireland’s potato famine by moving to America, Deadwood, South Dakota, was not one of them. But Deadwood, in the grip of gold fever, is where Seamus lands and where Brigid joins him after eluding the unwanted attentions of the son of her rich employer in St. Paul—or so she hopes. But the morning after her arrival, a grisly tragedy occurs; Seamus, suspected of the crime, flees, and Brigid is left to clear his name and to manage his mining claim, which suddenly looks more valuable and complicated than he and his partners supposed.
Mary Logue, author of the popular Claire Watkins mysteries, brings her signature brio and nerve to this story of a young Irish woman turned reluctant sleuth as she tries to make her way in a strange and often dangerous new world. From the famine-stricken city of Galway to the bustling New York harbor, to the mansions of Summit Avenue in St. Paul, and finally to the raucous hustle of boomtown Deadwood, Logue’s new thriller conjures the romance and the perils, and the tricky everyday realities, of a young immigrant surviving by her wits and grace in nineteenth-century America.
Stephanie, however, won't talk, even when her new boyfriend, Buck, is tied into his car, driven out on the treacherous ice of Lake Pepin and left there to sink and drown.
When Stephanie, accompanied by Buck's delightful dog, Snooper, tries to leave town, she is once again beaten; this time, she barely survives . . .
When Landers Anderson--an elderly neighbor who befriended Claire and Meg--dies of a heart attack after being sideswiped with a shovel, Claire determines to find the culprit. This involves delving into Landers's family history and investigating the machinations of a right-wing group, Homeowners of America, that is buying up property to build an environmentally unsound development.
At the same time, Meg fearfully admits to Claire that she saw the man who killed Steve. Claire contacts her former partner, Det. Bruce Jacobs, and prods him into accelerating the investigation into Steve's death.
One summer evening, while her sister Bridget takes care of Meg, Claire and Rich Haggard, a local pheasant farmer she's been dating for three months, attend a street dance in nearby Little Rock. Just as the fun gets under way, screams for help stop the music and put romance on hold. Someone has stabbed well-liked farmer Jed Spitzler in the chest. Members of the close-knit St. Antoine community join Jed's children in searching for Jed's killer.
Long-hidden town secrets are revealed as Claire seeks the truth and continues to struggle with her own demons.