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The Leopard: Revised and with new material (Vintage Classics) Revised Edition, Kindle Edition
Archibald Colquhoun (Translator) Find all the books, read about the author, and more. See search results for this author |
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The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution.
'There is a great feeling of opulence, decay, love and death about it' Rick Stein
In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them.
'Every once in a while, like certain golden moments of happiness, infinitely memorable, one stumbles on a book or a writer, and the impact is like an indelible mark. Lampedusa's The Leopard, his only novel, and a masterpiece, is such a work' Independent
INCLUDES RECENTLY DISCOVERED NEW MATERIAL
- ISBN-13978-0099512158
- EditionRevised
- PublisherVintage Digital
- Publication date7 September 2010
- LanguageEnglish
- File size4796 KB
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Product description
Book Description
From the Inside Flap
From the Back Cover
Review
--The New York Times Book Review
A masterwork . . . A superb novel in the great tradition and the grand manner.
--Newsweek
A majestic, melancholy, and beautiful novel.
--The New Yorker
About the Author
GIUSEPPE DI LAMPEDUSA was born in Sicily in 1896 and died in 1957. The Leopard was his only novel.
--This text refers to the paperback edition.Product details
- ASIN : B0041RRH6S
- Publisher : Vintage Digital; Revised edition (7 September 2010)
- Language : English
- File size : 4796 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 274 pages
- Page numbers source ISBN : 1784874981
- Best Sellers Rank: 53,474 in Kindle Store (See Top 100 in Kindle Store)
- 613 in Fiction Classics
- 1,174 in Classic Literature & Fiction
- 1,488 in Contemporary Literature & Fiction
- Customer Reviews:
About the authors
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Top reviews from Australia
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So well written (even in translation), it is a pleasure to read.
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This was a real mix for me. There were long, long stretches that bored me rigid with their lingering descriptions of the sumptuous lives and possessions of the aristocrats, and the central romance between Fabrizio’s young swashbuckling pro-Garibaldi nephew, Tancredi, and the beautiful if low-born Angelica is signally unromantic despite (or perhaps because of) the endless scenes of them breathlessly teasing each other and barely controlling their mutual lust.
On the other hand, it provides tremendous insight into the Sicilian mindset and the sharp divides in society, with the aristocracy living rather pointless lives of luxurious ease while the rest of the populace exist in abject poverty, not just in material terms but also poverty of education, opportunity and spirit. We see the stranglehold of the Catholic Church, as so often helping to keep the common people down in order to please their generous patrons amongst the rich. And Lampedusa shows the rise of the new type of men, their money coming from trade and industry rather than land, rougher and less cultured, but also less effete, with the drive to perhaps effect real change for the first time in centuries. And yet we see these new men ambitious to marry their children to the children of the old aristocracy, effectively buying their way into the existing ruling class, and we wonder if Fabrizio’s cynicism is right, that gradually the new men will become indistinguishable from the class they are replacing.
While the bulk of the book covers the two year period before, during and immediately after Garibaldi’s invasion, there are two additional sections: the first set twenty years later in 1883 when we find out how Fabrizio’s life played out after the revolution; and the second set later still, in 1910, when we meet again with some of his children and are shown how the aristocratic class has continued to fade, their once glittering homes now looking tawdry and tarnished, and their lives an anachronism in their own time.
I enjoyed both of these sections considerably more than the much longer main section, where the book committed one of my personal pet hates of staying with characters who remain neutral and uninvolved while all the action is going on elsewhere, off the page. We never meet Garibaldi, we don’t get taken into the revolution. We spend all our time in the splendid drawing rooms of the rich, watching them play the game of courtship, heavily spiced with Fabrizio’s musings on the decline of his fortunes. This is simply a matter of taste, though – as I’ve said many times, I am always more interested in the political than the domestic sphere. Of course, the whole book is political in the sense that it is describing the lethargy and decadence of the old ruling class and its ultimate decay, but I’d rather have spent my time with the enthusiastic supporters or even opponents of the revolution.
It is, I freely admit, entirely unreasonable for me to grumble that Lampedusa wrote the book he wanted to write rather than the one I’d have liked to read, but so it goes sometimes. There was still enough in it for me to enjoy it overall, especially since the bits I found most interesting all came at the end, leaving me feeling much more enthusiastic about it than I had been halfway through. Putting my subjective disappointment with its focus to one side, I can quite see why many people have hailed it as a great book and I wouldn’t want my rather lukewarm review to put anyone off reading it. And in the end I’m glad to have read it, and feel I have gained a good deal of insight into a place and time about which I previously knew almost nothing.

This is a novel that doesn't shy away from difficult truths. It's utterly authentic and sincere. But easy to read and, above all, a riveting story set against dramatic historical events: the Risorgimento, i.e. unification of Italy under Garibaldi and the Savoys. I didn't want the book to end; and found it profoundly moving. I think it's all about how to survive unavoidable change and reinvent oneself, however hard or unpalatable that may seem.
As an aside, I'd recommend reading the erudite Foreward by Lampedusa's adopted son after you've read the novel: it makes more sense and is more rewarding that way round.
I'd also recommend Viscount Norwich's recent history of Sicily if you enjoyed The Leopard. It really helps put it all in context.



The book is really about life changing after a virus lands in Sicily. That virus being Garibaldi. Hence it's appropriateness.