Currently unavailable.
We don't know when or if this item will be back in stock.
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more

Follow the Authors

Something went wrong. Please try your request again later.

Pan's Labyrinth SIGNED: The Labyrinth of the Faun Hardcover – 1 January 2019

4.9 out of 5 stars 1,062 ratings

See all formats and editions Hide other formats and editions
Amazon Price
New from Used from
Hardcover, 1 January 2019

Get 90 days FREE of Amazon Music Unlimited
with the purchase of any eligible product. Shop now

Special offers and product promotions

  • Buy this item and get 90 days Free Amazon Music Unlimited. After purchase you will receive an email with further information. Offer valid for a limited time only. Terms and Conditions apply.” Learn more here.

Includes your first audiobook free, a bonus book selected by our editors, unlimited access to exclusive podcasts and more. $16.45/mo after 30 days. Cancel anytime. Learn more >

Product details

  • Publisher : Bloomsbury (1 January 2019)
  • Language : English
  • Hardcover : 320 pages
  • ISBN-10 : 1526614537
  • ISBN-13 : 978-1526614537
  • Dimensions : 20.3 x 25.4 x 4.7 cm
  • Customer Reviews:
    4.9 out of 5 stars 1,062 ratings

Product description


If this is magic realism, it is also the work of a real magician ... What makes it art, is that it balances its own magical thinking with the knowledge that not everyone lives happily ever after ― New York Times, Critic's Pick

To hail Pan’s Labyrinth for its visionary ravishments is hardly to do it justice. You leave del Toro’s one-of-a-kind film feeling you’ve never seen the world before, not like this, not with such aching beauty and terror ― Rolling Stone

About the Author

Cornelia Funke is an award-winning children’s author. Her books have been translated from German into 35 different languages, and include Inkheart, Inkspell, Inkdeath, The Thief Lord, Dragonrider and the Reckless series. A film adaptation of The Thief Lord came out in 2006 and the Hollywood production of Inkheart was released in 2008. Cornelia lives in Malibu, California. Guillermo del Toro is a Mexican film director, screenwriter, producer, and novelist. In his career, del Toro has alternated between Spanish-language dark fantasy pieces, such as The Devil's Backbone and Pan's Labyrinth, and more mainstream American action films, such as Blade II, Hellboy and Pacific Rim. His 2017 film The Shape of Water won the Academy Award for Best Picture in 2018. Del Toro also received an Academy Award for Best Director, as well as the Golden Globe, BAFTA, Critics' Choice, and Directors Guild of America.

Customer reviews

4.9 out of 5 stars
4.9 out of 5
1,062 global ratings
5 star
4 star
3 star
2 star 0% (0%) 0%
1 star 0% (0%) 0%
How are ratings calculated?

Review this product

Share your thoughts with other customers

Top reviews from Australia

Reviewed in Australia on 5 December 2020
Verified Purchase
Reviewed in Australia on 10 September 2019

Top reviews from other countries

5.0 out of 5 stars This was a brilliant way for me to experience an endlessly fascinating story
Reviewed in the United Kingdom on 2 July 2019
Verified Purchase
18 people found this helpful
Report abuse
Nia Ireland
5.0 out of 5 stars Haunting dark fairytale
Reviewed in the United Kingdom on 22 September 2019
Verified Purchase
3 people found this helpful
Report abuse
5.0 out of 5 stars A little gem
Reviewed in the United Kingdom on 4 July 2019
Verified Purchase
Customer image
5.0 out of 5 stars A little gem
Reviewed in the United Kingdom on 4 July 2019
This book is a little jewel! I love the film and this book isn't just a narration of the film but it adds flavour to it! Descriptions of places and the psychology of the characters are just amazing. Magic unveils to you by reading this story
Images in this review
Customer image
Customer image
7 people found this helpful
Report abuse
Tristan Sherwin
3.0 out of 5 stars A beautiful retelling, but has serious pacing problems
Reviewed in the United Kingdom on 17 December 2020
Verified Purchase
Customer image
3.0 out of 5 stars A beautiful retelling, but has serious pacing problems
Reviewed in the United Kingdom on 17 December 2020
Once upon a time—2006, actually—I set out on a quest to watch Pan’s Labyrinth. It was one of those rare and refreshing cinematic experiences that captivated my imagination and made me think, ‘now, here’s something different.’ Since then, I’ve been a huge fan of Del Toro’s storytelling ability, which has taken on something of the nature of the fairy tales he crafts; he weaves gold from straw, beautifully interlacing the world around us with an otherworldly ambience.

Naturally, when I heard that a book was coming, I was curious. Would this work? After all, the treacherous journey from film to book has been attempted many times before, and it’s pathways are strewn with the corpses of prior attempts.

So how does the novelisation measure up to the film?

Well... erm... um... OK... ish, I guess.

The movie obviously has the visual advantage in painting the presence of this dark fairy tale. On the other side, the book gives some glimpses into the story that easily slip through the cracks of the movie—a big plus for the book, and something I enjoyed. The book does convey the same magical story; the enchantment is there, the threat and danger are there, and the depth of characters are certainly there (more so than the film). However, its the prose that lets this adaptation down.

As a plus side, the book attempts to tell this tale in the same way a fairy tale is told. The fairy tales that are layered throughout this story (and which are integral to its background) are told exclusively in this fashion. Whereas, real world events are narrated in a semi-fairy tale way, hinting at us that real life is just a dangerous and otherworldly. I enjoyed this stylistic approach; it suited the mood and nature of the story perfectly. Sadly, from time to time, when the real-world events got dramatic, this semi-tone fashion failed to convey the scenes suitably. It’s wasn’t a problem with word choice etc., but more to do with pace and transition. If there were only a few extra sentences leading in, through and out of these scenes, it would have made a world of difference. This doesn’t happen all the time, though; most of the time, it’s a smooth journey. But when these transition problems turn up, it’s like hitting a pot hole. Which is a shame, because they sadly interrupt what is, in the main, a beautiful retelling of the movie.

To end on a positive note: There’s plenty to enjoy here, and, as a big plus, I don’t believe that you have to have seen the movie to relish this story. That said, for those of us who have seen it, it will make you want to rewatch it again. Which isn’t a bad thing.

Ps. For those who have never seen the film, this is not a fairy tale for kids!
Images in this review
Customer image
Customer image
S. Hackshaw
4.0 out of 5 stars Good though I prefer the film
Reviewed in the United Kingdom on 19 October 2019
Verified Purchase
One person found this helpful
Report abuse