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In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house--a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse--objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger.
The fate of a lonely girl becomes part of a town’s shameful secret history in Thriller Award winner Jennifer McMahon’s terrifying story of guilt, retribution, and one tragic Halloween night.
Thirty-four years ago, on October 31, poor Hannah Talbott took part in a scavenger hunt gone violently wrong. The mean girls made sure of it. To this day, for a haunted local mother, the most unsettling Halloween costume of all is an urban legend they call Hannah-Beast. It’s a reminder of the past she can’t forget. Especially tonight when it’s come back, so close to home.
Jennifer McMahon’s Hannah-Beast is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.
West Hall, Vermont, has always been a town of strange disappearances and old legends. The most mysterious is that of Sara Harrison Shea, who, in 1908, was found dead in the field behind her house just months after the tragic death of her daughter, Gertie. Now, in present day, nineteen-year-old Ruthie lives in Sara's farmhouse with her mother, Alice, and her younger sister, Fawn. Alice has always insisted that they live off the grid, a decision that suddenly proves perilous when Ruthie wakes up one morning to find that Alice has vanished without a trace. Searching for clues, she is startled to find a copy of Sara Harrison Shea's diary hidden beneath the floorboards of her mother's bedroom. As Ruthie gets sucked deeper into the mystery of Sara's fate, she discovers that she's not the only person who's desperately looking for someone that they've lost. But she may be the only one who can stop history from repeating itself.
Once the thriving attraction of rural Vermont, the Tower Motel now stands in disrepair, alive only in the memories of Amy, Piper, and Piper's kid sister, Margot. The three played there as girls until the day that their games uncovered something dark and twisted in the motel's past, something that ruined their friendship forever.
Now adult, Piper and Margot have tried to forget what they found that fateful summer, but their lives are upended when Piper receives a panicked midnight call from Margot, with news of a horrific crime for which Amy stands accused. Suddenly, Margot and Piper are forced to relive the time that they found the suitcase that once belonged to Silvie Slater, the aunt that Amy claimed had run away to Hollywood to live out her dream of becoming Hitchcock's next blonde bombshell leading lady. As Margot and Piper investigate, a cleverly woven plot unfolds—revealing the story of Sylvie and Rose, two other sisters who lived at the motel during its 1950s heyday. Each believed the other to be something truly monstrous, but only one carries the secret that would haunt the generations to come.
Brand-new stories of witches and witchcraft written by popular female fantasy authors, including Kelley Armstrong, Rachel Caine and Sherrilyn Kenyon writing in their own bestselling universes!
These are tales of witches, wickedness, evil and cunning. Stories of disruption and subversion by today’s women you should fear. Including Kelley Armstrong, Rachel Caine and Sherrilyn Kenyon writing in their own bestselling universes.
These witches might be monstrous, or they might be heroes, depending on their own definitions. Even the kind hostess with the candy cottage thought of herself as the hero of her own story. After all, a woman’s gotta eat…
Eighteen tales of witchcraft from the mistresses of magic:
Ania Ahlborn
Kelley Armstrong
Amber Benson
Chesya Burke
Rachel Caine
Kristin Dearborn
Rachel Autumn Deering
Tananarive Due
Theodora Goss
Kat Howard
Alma Katsu
Sherrilyn Kenyon
Sarah Langan
Helen Marshall
Jennifer McMahon
Hillary Monahan
Mary SanGiovanni
Angela Slatter
Bring out your dread...
Eva Sandeski, who goes by the name Necco on the street, has been a part of Burntown's underworld for years, ever since the night her father, Miles, drowned in a flood that left her and her mother, Lily, homeless. A respected professor, Miles was also an inventor of fantastic machines, including one so secret that the plans were said to have been stolen from Thomas Edison's workshop. According to Lily, this machine got Miles murdered.
Necco has always written off this claim as the fevered imaginings of a woman consumed by grief. But when Lily also dies under mysterious circumstances, and Necco's boyfriend is murdered, she's convinced her mother was telling the truth. Now, on the run from a man called Snake Eyes, Necco must rely on other Burntown outsiders to survive.
As the lives of these misfits intersect, and as the killer from the Sandeski family's past draws ever closer, a story of edge-of-your-seat suspense begins to unfurl with classic Jennifer McMahon twists and turns.
“One of the brightest new stars of literary suspense.”
—Los Angeles Times
New York Times bestselling author Jennifer McMahon is back with a gut-wrenching mystery about an architect whose troubled mother has been found 25 years after being kidnapped—by a killer who is still on the loose
The summer of 1985 changed Reggie’s life. Thirteen, awkward, and without a father, she finds herself mixed up with her school’s outcasts—Charlie, the local detective’s son, and Tara, a goth kid who has a mental hold over Reggie and harbors a dark secret. That same summer a serial killer called Neptune begins kidnapping women. He leaves their severed hands on the police department steps and, five days later, displays their bodies around town. Just when Reggie needs her mother Vera—an ex-model with many “boyfriends” and a thirst for gin—the most, Vera’s hand is found on the steps. But after five days, there’s no body and Neptune disappears.
Now a successful architect who left her hometown behind after that horrific summer, Reggie doesn’t trust anyone and lives with few attachments. But when she gets a call from a homeless shelter saying that her mother has been found alive, Reggie must confront the ghosts of her past and find Neptune before he kills again.
With her signature style, Jennifer McMahon portrays the dark side of adolescent friendship and introduces characters who haunt the imagination, along with a disturbing web of secrets, betrayals, and murder.
“Don’t Breathe a Word is a haunting page-turner that kept me up, spine shivering and enthralled, way past my bedtime.”
—Joshilyn Jackson, author of Never Have I Ever
On a soft summer night in Vermont, twelve-year-old Lisa went into the woods behind her house and never came out again. Before she disappeared, she told her little brother, Sam, about a door that led to a magical place where she would meet the King of the Fairies and become his queen.
Fifteen years later, Phoebe is in love with Sam, a practical, sensible man who doesn't fear the dark and doesn't have bad dreams—who, in fact, helps Phoebe ignore her own. But suddenly the couple is faced with a series of eerie, unexplained occurrences that challenge Sam's hardheaded, realistic view of the world. As they question their reality, a terrible promise Sam made years ago is revealed—a promise that could destroy them all.
“Jennifer McMahon never flinches and never fails to surprise…as [she] weaves a young couple into a perverse fairyland where Rosemary’s Baby could be at home.”
—Randy Susan Meyers, author of The Murderer’s Daughters
A jovem Ruthie acredita que tudo não passa de uma grande bobagem. Porém, quando sua mãe desaparece sem deixar vestígios, ela começa a desconfiar de que aquela região guarda algum mistério, e suas suspeitas são reforçadas quando ela e a irmã encontram uma cópia do diário de Sara escondido em casa. Na busca pela mãe, Ruthie encontra respostas perturbadoras, e ela pode ser a única pessoa capaz de evitar que um grande mal aconteça.