kauer reached the summit of Mt. Everest in the early afternoon of May 10, 1996, he hadn't slept in fifty-seven hours and was reeling from the brain-altering effects of oxygen depletion. As he turned to begin his long, dangerous descent from 29,028 feet, twenty other climbers were still pushing doggedly toward the top.  No one had noticed that the sky had begun to fill with clouds. Six hours later and 3,000 feet lower, in 70-knot winds and blinding snow, Krakauer collapsed in his tent, freezing, hallucinating from exhaustion and hypoxia, but safe. The following morning, he learned that six of his fellow climbers hadn't made it back to their camp and were desperately struggling for their lives. When the storm finally passed, five of them would be dead, and the sixth so horribly frostbitten that his right hand would have to be amputated.<br><br><b>Into Thin Air</b> is the definitive account of the deadliest season in the history of Everest by the acclaimed journalist and author of t --This text refers to an out of print or unavailable edition of this title.

Jon Krakauer is the author of Eiger Dreams, Into the Wild, and Under the Banner of Heaven, and is editor of the Modern Library Exploration series. He lives in the USA.

--This text refers to an alternate kindle_edition edition.

[Krakauer] has produced a narrative that is both meticulously researched and deftly constructed. Unlike the expedition, his story rushes irresistibly forward. But perhaps Mr. Krakauer's greatest achievement is his evocation of the deadly storm, his ability to re-create its effects with a lucid and terrifying intimacy. --Alastair Scott, The New York Times Book Review

This is a great book, among the best ever on mountaineering. Gracefully and efficiently written, carefully researched, and actually lived by its narrator, it shares a similar theme with another sort of book, a novel called The Great Gatsby. --The Washington Post

Into Thin Air ranks among the great adventure books of all time. --The Wall Street Journal

Krakauer is an extremely gifted storyteller as well as a relentlessly honest and even-handed journalist, the story is riveting and wonderfully complex in its own right, and Krakauer makes one excellent decision after another about how to tell it.... To call the book an adventure saga seems not to recognize that it is also a deeply thoughtful and finely wrought philosophical examination of the self. --Elle

Hypnotic, rattling.... Time collapses as, minute by minute, Krakauer rivetingly and movingly chronicles what ensued, much of which is near agony to read.... A brilliantly told story that won't go begging when the year's literary honors are doled out. --Kirkus Reviews

Though it comes from the genre named for what it isn't (nonfiction), this has the feel of literature: Krakauer is Ishmael, the narrator who lives to tell the story but is forever trapped within it.... Krakauer's reporting is steady but ferocious. The clink of ice in a glass, a poem of winter snow, will never sound the same. --Mirabella

Into Thin Air is a remarkable work of reportage and self-examination.... And no book on the 1996 disaster is likely to consider so honestly the mistakes that killed his colleagues. --Newsday

A harrowing tale of the perils of high-altitude climbing, a story of bad luck and worse judgment and of heartbreaking heroism. --People

In this movingly written book, Krakauer describes an experience of such bone-chilling horror as to persuade even the most fanatical alpinists to seek sanctuary at sea level. --Sports Illustrated --This text refers to the paperback edition.

A bank of clouds was assembling on the not-so-distant horizon, but journalist-mountaineer Jon Krakauer, standing on the summit of Mt. Everest, saw nothing that "suggested that a murderous storm was bearing down." He was wrong. The storm, which claimed five lives and left countless more--including Krakauer's--in guilt-ridden disarray, would also provide the impetus for Into Thin Air, Krakauer's epic account of the May 1996 disaster.
By writing Into Thin Air, Krakauer may have hoped to exorcise some of his own demons and lay to rest some of the painful questions that still surround the event. He takes great pains to provide a balanced picture of the people and events he witnessed and gives due credit to the tireless and dedicated Sherpas. He also avoids blasting easy targets such as Sandy Pittman, the wealthy socialite who brought an espresso maker along on the expedition. Krakauer's highly personal inquiry into the catastrophe provides a great deal of insight into what went wrong. But for Krakauer himself, further interviews and investigations only lead him to the conclusion that his perceived failures were directly responsible for a fellow climber's death. Clearly, Krakauer remains haunted by the disaster, and although he relates a number of incidents in which he acted selflessly and even heroically, he seems unable to view those instances objectively. In the end, despite his evenhanded and even generous assessment of others' actions, he reserves a full measure of vitriol for himself.
This updated trade paperback edition of Into Thin Air includes an extensive new postscript that sheds fascinating light on the acrimonious debate that flared between Krakauer and Everest guideAnatoli Boukreev in the wake of the tragedy. "I have no doubt that Boukreev's intentions were good on summit day," writes Krakauer in the postscript, dated August 1999. "What disturbs me, though, was Boukreev's refusal to acknowledge the possibility that he made even a single poor decision. Never did he indicate that perhaps it wasn't the best choice to climb without gas or go down ahead of his clients." As usual, Krakauer supports his points with dogged research and a good dose of humility. But rather than continue the heated discourse that has raged since Into Thin Air's denouncement of guide Boukreev, Krakauer's tone is conciliatory; he points most of his criticism at G. Weston De Walt, who coauthored The Climb, Boukreev's version of events. And in a touching conclusion, Krakauer recounts his last conversation with the late Boukreev, in which the two weathered climbers agreed to disagree about certain points. Krakauer had great hopes to patch things up with Boukreev, but the Russian later died in an avalanche on another Himalayan peak, Annapurna I.
In 1999, Krakauer received an Academy Award in Literature from the American Academy of Arts and Letters--a prestigious prize intended "to honor writers of exceptional accomplishment." According to the Academy's citation, "Krakauer combines the tenacity and courage of the finest tradition of investigative journalism with the stylish subtlety and profound insight of the born writer. His account of an ascent of Mount Everest has led to a general reevaluation of climbing and of the commercialization of what was once a romantic, solitary sport; while his account of the life and death of Christopher McCandless, who died of starvation afterchallenging the Alaskan wilderness, delves even more deeply and disturbingly into the fascination of nature and the devastating effects of its lure on a young and curious mind." --This text refers to the paperback edition.

Jon Krakauer is the author of eight books and has received an Academy Award in Literature from the American Academy of Arts and Letters. According to the award citation, Krakauer combines the tenacity and courage of the finest tradition of investigative journalism with the stylish subtlety and profound insight of the born writer.

www.jonkrakauer.com --This text refers to the paperback edition.