The Death of Vishnu is set in an apartment block in Bombay where Vishnu (a general dogsbody who has lived on the landing for years) lies dying. The people living in the block and those who work in the street all become involved in his final days. The Pathaks and the Asranis continue their feud (about sharing a kitchen) and quarrel further about whether Vishnu should be taken away by ambulance. However this suggestion arises more because Mrs Pathak didn't want her card-playing friends to see his disgusting state rather than from any humanitarian motives.
Mr Jalal (a Muslim) seeks spiritual enlightenment and, following a period of fasting and physical deprivation, believes he can find this via the dying Vishnu. Jalal's son is having an illicit affair with Kavita, daughter of the Hindu Asranis. The Asranis are keen to arrange a marriage for Kavita and she is introduced to a suitable young man but decides instead to elope with Salim. And on the top floor is Vinod who is still mourning the loss of his beloved wife.
The book is a mixture of tragedy and comedy and draws heavily on Hindu mythology. As Vishnu lies dying he remembers his mother and the stories she told about the incarnations and avatars of Vishnu. Vishnu also remembers a love affair with a prostitute Padmina but confuses her with Kavita who comes to visit him. Jalal, in his confusion, becomes convinced that Vishnu has become a god and announces this to everyone only to find this is greeted with hostility.
The Death of Vishnu paints a vivid picture of life in Bombay. It is in turns touching and "laugh out loud" funny. A superb debut novel and I look forward to reading more from this writer.
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`Beautifully captures with great tenderness and depth the eternal war between duty and desire. This is a love letter to Bombay and its people' * Sunday Express * `A magnificent debut, rich with humour, compassion and insight into what it is like to inhabit the melting pot that is contemporary Bombay, rich in celebration of humanity' * Scotsman * `A wonder of a book. Astonishing' * Amy Tan * `All the elements of great storytelling are here, the mystic transports of Ben Okri with the intimate charm of Arundhati Roy ... enchanting' * Sunday Tribune * --This text refers to an out of print or unavailable edition of this title.
About the Author
Manil Suri was born in Bombay in 1959 and is a professor of mathematics at the University of Maryland, Baltimore County. He has written two novels, The Death of Vishnu and The Age of Shiva. His fiction has been translated into twenty-seven languages, longlisted for the Booker Prize, shortlisted for the PEN/Faulkner Award, LA Times Book Award, PEN/Hemingway Award and the W H Smith Literary Award, and has won the McKittrick Prize and the Barnes & Noble Discover Award. He was named by Time magazine as a 'Person to Watch' in 2000. He lives in Maryland, USA. --This text refers to an out of print or unavailable edition of this title.
- ASIN : B007M83D5W
- Publisher : Bloomsbury Paperbacks; 1st edition (7 May 2012)
- Language : English
- File size : 1028 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 297 pages
- Best Sellers Rank: 524,529 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
3.7 out of 5
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Touching and funny.....Reviewed in the United Kingdom on 21 March 2009
One person found this helpful
Pleasant though not immortalReviewed in the United Kingdom on 27 January 2010
The Death of Vishnu uses the day the dogsbody on the first-floor landing of a Bombay block of flats is agonising to tell the story of its inhabitants. Recounting their small-time vicissitudes and rivalries, it reads like an interlacing of short stories, though as the novel progresses the actions of one rebound increasingly on the other. Vishnu's last moments are interspersed with older memories and with light Hindu theology and imagery. A Hindu girl elopes with the building's Muslim Don Juan. Manil Suri is masterful at extracting all the pulp from his microcosm's everyday. And since this is India, it involves quirkiness and folklore alike, as well as the inevitable religious strife. The tone remains one of light and insightful comedy, however, and though it may be at times formulaic, this is an engaging novel. Suri writes beautifully, with an exceptional eye for detail; I was surprised to read on the jacket that he has left his native India and is a diaspora writer.
2 people found this helpful
Love itReviewed in the United Kingdom on 9 December 2018
This is a brillisnt book. Eitty, caustic, engaging.
Five StarsReviewed in the United Kingdom on 25 January 2016
Manil Suri is one of my favourite authors. He has amazing skill.