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Bringing It All Back Home (2Lp/Mono/180G/Strictly Limited/Numbered)

4.8 out of 5 stars 809 ratings

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Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Product Dimensions ‏ : ‎ 30.99 x 30.99 x 0.1 cm; 788.12 Grams
  • Manufacturer ‏ : ‎ MOBILE FIDELITY SOUND LAB
  • Manufacturer reference ‏ : ‎ 31507431
  • Original Release Date ‏ : ‎ 2016
  • ASIN ‏ : ‎ B01LY59KOB
  • Number of discs ‏ : ‎ 2
  • Customer Reviews:
    4.8 out of 5 stars 809 ratings

Product description

Limited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. Bring it all back home - in mono. Originally designed by the artist for mono listening, Bob Dylan's Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. It's a disarming broadcast that declares Dylan's surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed. As part of it's Bob Dylan catalog restoration series, Mobile Fidelity is humbled to have the privilege of mastering the iconic album on it's world-renowned mastering system and pressing it on 45RPM LPs at RTI in it's original mono format. Strictly limited to just 3,000 copies, the end result is the very finest, most transparent analog mono edition of Bringing It All Back Home ever produced. Forever renowned for it's organic sound, the album's you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information. Since Bringing It All Back Home features the most instrumentation Dylan implemented in arrangements at that stage of his career, the set is undoubtedly vivid in stereo - particularly the electric half. Yet the Minnesota native paid particular attention to the mono mix, which here presents Dylan with unparalleled directness. The record's second half sounds especially genuine, lifelike, and intimate in mono. It paints listeners an incredibly accurate portrait of the attention-getting mass of acoustic-based sound - and features no artificial panning or echo chamber of it's stereo counterpart. Instead, you are immersed right into the music. Indeed, the sonics on this Mobile Fidelity reissue are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbia's Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fans into a tizzy.

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